vendredi 5 décembre 2014

Pontas

I am thrilled to say that the brilliant Jessica Craig at the very excellent Pontas Agency in Barcelona is going to represent me for my novel and detective books. I am very happy.

You can read about them here.

samedi 22 novembre 2014

Visual Verse: The Library of Tears

This has been a month of many exciting things, writing things. Visual Verse comes as a sketch, a promise, a diversion; it is a sudden glance shared with a passing stranger, a connection in the crowd.

To read my latest piece, The Library of Tears, click just here.

samedi 18 octobre 2014

Visual Verse : Tectonic Love

        Busy, busy, busy with so many things, but, couldn't resist the latest prompt from Visual Verse. In their own words,

"Visual Verse is a celebration. Of the drama of seeing and the desire to express it. Of the things that inspire us, move us, and that we find hardest to articulate".

You can read the latest in Aunt Dorothea's epistolary adventures here.

dimanche 28 septembre 2014

Like Something You Wanted: The Irish Literary Review

I have a short story, Like Something You Wanted, published in the recent edition of the excellent online Irish Literary Review. You can read it here.

mercredi 24 septembre 2014

Visual Verse : JUST ONE MORE BRUSH, HE KEPT WHISPERING.

In the midst of a mad month of many things, I've written a new piece for Visual Verse. I love this project.

You can read the latest from Aunt Dorothea over here.




dimanche 21 septembre 2014

Katherine Mansfield's letters



I was recently given all of my grandparents books. They both died when I was ten, so it is fascinating to reconnect with them through words: reading, books and their marginalia. My grandma appears to have had a passion for poetry. This summer I read her two hard-backed editions of Katherine Mansfield's letters. Collated by her husband, John Middleton Murray, the letters span from 1913-1922. The writing is alive, spontaneous, extraordinary. Desperately ill, Mansfield describes convalescence on the Cote d'Azur, Paris during WW1 and a writing life separated from her beloved author husband. In his introductory note, J. Middleton Murray writes, "Mansfield's one concern was to leave behind her some small legacy of truth..not a little of her 'truth' is contained in these letters"; the texts are lit by her veracity, a naive startling brilliance. Here's an excerpt from a letter written to her husband in the Summer of 1913,

"I'm a lion all day, darling, but with that last point of daylight I begin to turn into a lamb and by midnight mon Dieu! by midnight the whole world has turned into a butcher!"

mardi 16 septembre 2014

The Watching Crowd

Awkword Paper Cut and Michael Dickes invited me to contribute to their September issue.

You can read my piece The Watching Crowd and listen to me reading the story here